About

A woman with long dark hair, wearing a St Agni suit, sitting on a wooden chair. She is in a photography studio setup with a gray background, a large black reflector or softbox above, and a tall clay pot in the background.

Hi, I'm Nadera. I paint abstract landscapes on the Fleurieu Peninsula in South Australia, a place so peaceful it's honestly suspicious.

I was raised in Australia with Uzbek heritage, which meant growing up surrounded by hand-woven silk ikat, textiles so beautiful they've ruined me for all other patterns. Every repetitive brushstroke in my work is basically me trying to weave like my ancestors did, except with paint, and with considerably less patience.

The landscapes themselves come from the places I've travelled and lived. You know that moment on a plane when you look out the tiny window and the ground below has completely changed, and your stomach does the thing? That little flip of oh, everything is about to be new? That's the feeling I'm trying to bottle. The first-day shimmer of a place: its light, its people, its noise, its music, all of it still unfamiliar and therefore magic.

I trained as an environmental health scientist, which means I can't romanticise a landscape without also accounting for it. The advocacy and the painting are the same impulse, expressed at different volumes.